Filmmaker Statement:
“Endless” is a blues monologue and lament that captures the interior world of a mysterious and immortal figure cursed with having to feed off of her own blood – haunted by both the past and the present horrors of racism within the United States. I wanted to express the weariness and sorrow felt by the rising tide of injustice in the Western world. Surreal and probing, the film renders a portrait of a soul in existential crisis, unable to reconcile her own affliction amidst a Capitalist world that will forever be alien to her.
Invoking the names of great Black revolutionary figures who fought against slavery (Harriet Tubman, Nat Turner, Sojourner Truth) to incur a meditative state, the film contains different parts or ‘shards’ (poems, memories, montage, dialogue) that come to grip with the internal & external forces of a system that insists on destroying African-Americans and the historically oppressed.
My first film was a ‘bang,’ now I am interested in the ‘whisper.’ “Endless” renders the necessary words, sounds and images of a haunted state of being and the inner terror they evoke. What is obscure to some, will be very clear to others…and I have been learning how to combine different elements in a cohesive way to express not a story, but a state of mind.
Formally it owes its debt to both symbolist poetry, Eastern mudras, transcendental cinema & experimental jazz compositions while carving out its own place amongst the Cinema of Dissent.” – Leroy Kangalee
New Poet Cinema, All rights reserved 2015
https://endlessshardsfilm.wordpress.com/
2015
25 minutes
RED 4K
Text - Leroy Kangalee
Camera - Eric Swain
Editing - Brennan Karem
Design - Nina Fleck
"You think your pain and your heartbreak are unprecedented in the history of the world, but then you read. It was books that taught me that the things that tormented me most were the very things that connected me with all the people who were alive, or who had ever been alive."
~ James Baldwin
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